Winner of the 2025 Rewilding Cultures grant for Foliating Memories, artist Kim Đoan Quốc talks to Makery about their project in Viêt Nam on Agent Orange pollution. A three-part series.
From September 4 to 26, 2026, The Invisible Dog Art Center from New York is in Tokyo to host NAFAS – an exhibition celebrating the delicious and delightful meeting of art and food.
Kerminy’s Soil Assembly, held from 28 to 30 August, brought together 200 people to share ideas, questions, practices and experiences around the urgent need to care for our soils and keep them alive.
The collective La Halle œuvrière is a long-term resident at Kerminy, a site for research, creation, and experimentation located in Finistère.
For four days in early July, the Kompost Festival 2026 transformed Tempelhofer Feld and its surroundings into a temporary laboratory for soil care.
What if soil became a place to gather, learn and imagine other ways of living?
During a full moon weekend, on May 30 & 31st, artists, gardeners, farmers, researchers and enthousiasts gathered in two artists gardens of Zone2Source in Amsterdam.
On 17-19 July, the second international Perlen Fermentation Festival, a large gathering in Guiyang, capital of Guizhou in southwest China, brought together fermenters, brewers, artists, researchers and thousands of curious visitors.
On 25–26 June 2026, the regional Soil Assembly titled “Kompost Konferenz” took place in Münster, Germany. The event focused on composting and socio-ecological transformation.
From 20-22 May, Soil Assembly joined artists, activists and cultural practitioners for Festivities Under Siege at Krater, in Ljubljana, Slovenia.
In May the Ukrainian Ecostations Network, hosted a Soil Assembly on restoring soils damaged by military operations.
This essay by Irene Posch, from the third Feral Labs Node Book, reflects on the role of tools in shaping collaboration, inquiry, and knowledge production in e-textiles.
This chapter from the third Feral Labs Node Book, titled “Fa Fa Futures", by WhiteFeather Hunter discusses the feral turn through a feminist technoscientific methodology.
This essay reflects on the ongoing practices of Cultivamos Cultura in Portugal, as a cultural institution fostering creativity, experimentation, and knowledge circulation.
Martyna Groth examines László Moholy-Nagy’s futurist tactility and Bauhaus methods, and connects these ideas to contemporary interests in touch, DIY culture and makerspaces.
Makery is compiling a list of camps as natural as DiY, aimed at makers, hackers, bioartists, architects and other curious people. Follow the guide !
The Art Meets Radical Openness (AMRO) festival will take place in Linz from May 13 to 16, 2026. Read the curatorial essay for the event's exhibition.
As the first public “Arai-Eek Co-Laboratory” sessions start next weekend in Chiang Mai, Thailand, curator and researcher Nupur Maneesh Doshi looks back on the program’s inaugural street workshop there last February.
This winter, metaPhorest magnified underwater microscopic communities thriving in one of Tokyo’s most urban waterways. Hideo Iwasaki talks about their site-specific exhibition “Silent Neighbors” on the Shibuya River.
In this essay Chessa Adsit-Morris takes a look back at the "laboratory turn" in art and culture since the 1960s, ultimately offering a reflection on the Feral Labs network itself.
