As the first public “Arai-Eek Co-Laboratory” sessions start next weekend in Chiang Mai, Thailand, curator and researcher Nupur Maneesh Doshi looks back on the program’s inaugural street workshop there last February.
In this essay Chessa Adsit-Morris takes a look back at the "laboratory turn" in art and culture since the 1960s, ultimately offering a reflection on the Feral Labs network itself.
Artist and curator Neal White explores the latest iteration of the Soil Assembly held from 20-25 January at the 6th Edition of the Biennale – titled, ‘For the Time Being’.
In 2025, I went to Fukushima to participate in the 4th edition of “Let’s Ride the Waves on March 11th”. This year, local surfer host Yuko Takahashi shares her backstory and thoughts on this ritual event.
Lyndsey Walsh here takes on a personal approach to embodying ferality through the lens of art practice that engages with their lived reality and queer crip positionality.
An international collective artwork concluding the Soil Assembly #3 at Kochi–Muziris Biennale 2025 follows ancient spice routes from India to Europe.
Makery gives the floor to Karla Spiluttini, from Schmiede Hallein in Austria, for an overview of maker culture, an essay published in Feral Labs Node Book #2.
We are launching a series of essays drawn from the 2024 Feral Labs Node Book #2 and the upcoming #3 issue. Here is an essay by Kate Rich, founder of the legendary Feral Trade project and facilitator of the Feral MBA in Australia.
The Rewilding Cultures Mobility Conversation aims at initiating conversations on cultural exchange and offers grants for mobility. Supported by Projekt Atol, Toma Pilein, reflects on his experience with the "Spielplatz Endzeit" project.
Encounter with intermedia artist Daniel Hengst who presented 'New Gleaning', at the “Swamp Things! The Liveliness of Peatland Plants” exhibition of the _matter festival 2025 in Berlin.
Through its mobility grants, the Rewilding Cultures encourages new ways of imagining cultural exchange in Europe. Catherine Lenoble, winner of the 2025 award, reflects on her experience.
The Taboo-Transgression-Transcendence (TTT) in Art & Science international conference was holding its 6th edition at Kino Šiška in Ljubljana on September 9-13. Report by Chrysa Chouliara.
Gemma Ciabattoni travelled this summer to NØ SCHOOL in Nevers, France, in the frame of the Rewilding Cultures Mobility Grant.
HomeMade is an annual mechatronic research retreat. From 1st to 10th of August, the camp brought together 109 participants. Chrysa Chouliara, shares her impressions of this unique edition.
Simon Berz, famous drummer and multidisciplanary artist, runs its own art center Combination Space. We met him at Home Made 2025, the summercamp of SGMK (Swiss Mechatronic Arts Society), where Makery and PING (Nantes) set a pop-up radio studio. Interview.
Maja Smrekar reflects on how her work was misused in a far-right political campaign and the need to build collective resilience. These issues will be addressed on 11 September in Ljubljana at the Taboo – Transgression – Transcendence in Art & Science (TTT).
ArtLabo Retreat 2025 was a two week-long camp in West Brittany, France. Chrysa Chouliara, the 2025 Makery summer chronicler-in-residency, reveals her chronicle of the two weeks spent at the ArtLabo Retreat.
From the 30th of June until the 6th of July 2025, ArtLabo Retreat took place on Île de Batz, Finistère, France, to explore the unique landscapes and possible materialities of coastal ecosystems.
Multiple scientific, artistic, and cultural perspectives on the role of sound in ocean environments took place at UNOC 2025.
Leading up to the UN Ocean Conference in Nice, France, scientists and artists came together to spotlight the ocean and the issues that surround it.
